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第二章 | 月亮和六便士
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When so much has been written about Charles Strickland, it may seem unnecessary that I should write more. A painter's monument is his work.
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It is true I knew him more intimately than most: I met him first before ever he became a painter, and I saw him not infrequently during the difficult years he spent in Paris; but I do not suppose I should ever have set down my recollections if the hazards of the war had not taken me to Tahiti.
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There, as is notorious, he spent the last years of his life; and there I came across persons who were familiar with him.
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I find myself in a position to throw light on just that part of his tragic career which has remained most obscure.
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第二章
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