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After seven years Jack had finished the transepts-the two arms of the cross-shaped church-and they were everything he had hoped for. He had improved on the ideas of Saint-Denis, making everything taller and narrower-windows, arches, and the vault itself. The clustered shafts of the piers rose gracefully through the gallery and became the ribs of the vault, curving over to meet in the middle of the ceiling, and the tall pointed windows flooded the interior with light. The moldings were fine and delicate, and the carved decoration was a riot of stone foliage.

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