Winter set in. Weeks went to Berlin to attend the lectures of Paulssen, and Hayward began to think of going South. The local theatre opened its doors. Philip and Hayward went to it two or three times a week with the praiseworthy intention of improving their German, and Philip found it a more diverting manner of perfecting himself in the language than listening to sermons. They found themselves in the midst of a revival of the drama. Several of Ibsen's plays were on the repertory for the winter; Sudermann's Die Ehre was then a new play, and on its production in the quiet university town caused the greatest excitement; it was extravagantly praised and bitterly attacked; other dramatists followed with plays written under the modern influence, and Philip witnessed a series of works in which the vileness of mankind was displayed before him. He had never been to a play in his life till then (poor touring companies sometimes came to the Assembly Rooms at Blackstable, but the Vicar, partly on account of his profession, partly because he thought it would be vulgar, never went to see them) and the passion of the stage seized him. He felt a thrill the moment he got into the little, shabby, ill-lit theatre. Soon he came to know the peculiarities of the small company, and by the casting could tell at once what were the characteristics of the persons in the drama; but this made no difference to him. To him it was real life. It was a strange life, dark and tortured, in which men and women showed to remorseless eyes the evil that was in their hearts: a fair face concealed a depraved mind; the virtuous used virtue as a mask to hide their secret vice, the seeming-strong fainted within with their weakness; the honest were corrupt, the chaste were lewd. You seemed to dwell in a room where the night before an orgy had taken place: the windows had not been opened in the morning; the air was foul with the dregs of beer, and stale smoke, and flaring gas. There was no laughter. At most you sniggered at the hypocrite or the fool: the characters expressed themselves in cruel words that seemed wrung out of their hearts by shame and anguish.

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